CRAM ME NOW AND FOREVER

This ain't no/some/your gentle/sweet/rough love/fantasy/trip. This is the raw/deep/burning need to smash/destroy/screw right now/this instant/immediately. I want every inch/all of you/to feel me inside you, and I want it forever/until we die/until there's nothing left. You listen/obey/better believe me when I say this: your pleasure/pain/existen

from the nineteen sixties and nineteen seventies, many jazz musicians had just a basic idea of Cuban and Brazilian music, and jazz compositions which used Cuban or Brazilian features ended up normally known as "Latin tunes", without any difference among a Cuban son montuno plus a Brazilian bossa nova. Even as late as 2000, in Mark Gridley's Jazz de